Monday, October 28, 2013

Music News 10.28.13



Reflection 07-B: Guilty as Charged—Confessing Our Musical Guilty Pleasures



Note: This week you have the option to choose from two different prompts. Do only one, either 07-A or 07-B. Each is only one full page.

Though we may not admit it, we all have them. And while they are near and dear to our hearts, often they are kept secret. Yet, our musical guilty pleasures serve an important role: they make us happy—even if we don't always own up to them. But why are guilty pleasures, so guilty? What sets this music apart from that which we enjoy openly? Can a song really be so bad it's good? This reflection is your opportunity to come out of the musical closet and reveal three of your musical guilty pleasures. 

Include one of the following in your discussion:

Requirements:
  • Must be in MLA Style
  • Must be one full page in length
  • Must include a works cited page

Due: SEC. 03 & 23—WE 11.06; Sec. 86—TU 10.07

    Reflection 07-A: Under the Covers—The Science of Cover Songs



    Note: This week you have the option to choose from two different prompts. Do only one, either 07-A or 07-B. Each is only one full page.

    A cover is a song performed by someone other than the original artist. From the beginning of recorded music, artists have freely helped themselves to the repertoire of others. Though often used as tributes to admired artists, covers also open songs to wildly different interpretations. This is especially true in the era of YouTube, where any song (and any take on it) is fair game. As a result, both pros and amateurs have taken covers from the unexpected to the unconventional to the sublime. (Of course, these can go terribly wrong, too.) For this reflection, discuss the science of a great cover song, including why they so often go wrong. finally, do you have a favorite cover or two?

    Include one of the following in your discussion:

    Required:
    • Must be in MLA Style
    • Must be one page in length
    • Include a works cited page

    Due: SEC. 03 & 23—WE 11.06; Sec. 86—TU 10.07

    Sunday, October 27, 2013

    Week 11: Kanye West

    Kanye West (Ft. Jamie Foxx), "Gold Digger" (2005)

    Week 11: Kanye West
    Mo 10.28

    • Read: OWEN—Pg. 1 – 50
    • Class:Reading discussion; Multimedia presentations; Watch—“David Holt: The Joyful Tradition of Mountain Music” (TED Talks)
    Tu 10.29
    • Read: OWEN—Pg. 1 – 100
    • Class: Reading discussion; Multimedia Presentations; Watch—“David Holt: The Joyful Tradition of Mountain Music” (TED Talks)
    We 10.30
    • Read: OWEN—Pg. 51 – 100
    • Class:AUTOBIOGRAPHICAL ESSAY

    Upcoming:

    Week 12: ABBA
    Mo 11.04
    • Read: OWEN—Pg. 101 - 150
    • Class: Reading discussion; Multimedia presentations; Watch: Excerpts from BBC Four Sessions: Bruce Springsteen with The Seeger Sessions Band (BBC Four)
    Tu 11.05
    • Read: OWEN—Pg. 101 - 200
    • Class: Reading discussion; Multimedia presentations; Watch: Excerpts from BBC Four Sessions: Bruce Springsteen with The Seeger Sessions Band (BBC Four)
    • Due: REFLECTION 07
    We 11.06
    • Read: OWEN—Pg. 151 - 200
    • Class: Reading discussion; Multimedia presentations
    • Due: REFLECTION 07

    Sunday, October 20, 2013

    Week 10: Queen

    Queen, "You're My Best Friend" (1976)

    Week 10: Queen
    Mo 10.21
    • Read: SONG—“Glorybound” – “Needle in a Haystack;” eR—“You Are What You Hear: What Your Favorite Music Says About You” (NPR Music), “Six Songs of Me” (GuardianMusic), “Does Music Define You?” (NPR Music)
    • Class: Reading discussion; Multimedia presentations
    • Due: REFLECTION 06 
    Tu 10.22
    • Read: SONG—“Glorybound” – “Pissing in a River;” eR—“You Are What You Hear: What Your Favorite Music Says About You” (NPR Music), “Six Songs of Me” (GuardianMusic), “Does Music Define You?” (NPR Music), “Music Defines Me” (Aggie Central), “The Sound of a Generation” (NPR Music)
    • Class: Reading discussion; Multimedia presentations; Watch—“Gospel for Teens” from 60 Minutes (2011)
    • Due: REFLECTION 06; EDITORIAL ESSAY (FINAL DRAFT; ATTACH DRAFT 1 TO BACK)
    We 10.23
    • Read: SONG—“Let’s Straighten it Out” – “Pissing in a River;” eR—“Music Defines Me” (Aggie Central), “The Sound of a Generation” (NPR Music)
    • Class: Multimedia presentations; Watch—“Gospel for Teens” from 60 Minutes (2011)
    • Due: EDITORIAL ESSAY (FINAL DRAFT; ATTACH DRAFT 1 TO BACK)

    Upcoming:

    Week 11: Kanye West
    Mo 10.28
    • Read: OWEN—Pg. 1 – 50
    • Class:Reading discussion; Multimedia presentations; Watch—“David Holt: The Joyful Tradition of Mountain Music” (TED Talks)
    Tu 10.29
    • Read: OWEN—Pg. 1 – 100
    • Class: Reading discussion; Multimedia Presentations; Watch—“David Holt: The Joyful Tradition of Mountain Music” (TED Talks)
    We 10.30
    • Read: OWEN—Pg. 51 – 100
    • Class:AUTOBIOGRAPHICAL ESSAY


    Monday, October 14, 2013

    Reflection 06: A Little Mood Music—Creating an Annotated Playlist



    Regardless of the situation, there are always songs that fit it just right. Whether you require a romantic mood, a little inspiration, or if you just want to forget your troubles, music exists to enhance those and any other experience. For this reflection, you will create a playlist of at least six songs to fit one of the following situations. Additionally, you must annotate each song in 2-3 sentences. Your annotations should explain your rationale for their inclusion. When compiling your playlist consider the role music plays in the situation? Is it central to the experience or better in the background? What kind of mood are you hoping to evoke? What kinds of music do people typically play in this situation and does your playlist offer any surprises?

    Based upon your month of birth, create an annotated playlist of at least six songs for one of the following:
    1. JanA cold and rainy day: What's the best music for staying indoors on a winter's day? 
    2. Feb A romantic dinner: Love is in the air; how do you enhance the mood?
    3. MarCleaning the house: It's time for some spring cleaning; what music will motivate you to get the job done?
    4. AprWorking out: Swimsuit weather is around the corner; which songs will push you toward your goals?
    5. MayA beach party: The sun is out and the beach awaits; which songs will usher in the fun?
    6. JunStudying: Time to get serious about hitting the books; which songs can keep you the most focused?
    7. JulRelaxing: Your only goal is to do absolutely nothing; which songs will help you do (or not do) just that?
    8. AugA road trip: You're taking to the road; what songs will inspire a spirit of adventure?
    9. SepA house party: Which songs will get the dance floor going?
    10. OctA funeral: You've lost a loved one; how do you memorialize a person's life in songs?
    11. NovFalling asleep: With the time change, you're having a little trouble sleeping; which songs will help sooth you to sleep?
    12. DecA holiday dinner party: Friends are coming over for festive dinner; which songs will be most inviting for your guests?
    Required:
    • Must be in MLA Style
    • Must be one full page in length

    Due: SEC. 03 & 23—MO 10.21; Sec. 86—TU 10.22

    Sunday, October 13, 2013

    Week 09: Tony Bennett

    Tony Bennett, "It Had to Be You" (1994)

    Week 09: Tony Bennett
    Mo 10.14

    • Read: SONG—“Your Love is the Place Where I Come From” – “You Had Time”
    • Class: Writers workshop; Multimedia presentations
    • Due: EDITORIAL ESSAY (DRAFT 1; BRING 3 COPIES)
    Tu 10.15
    • Read: SONG—“Your Love is the Place Where I Come From” – “A Minor Incident;” eR—“Millennials Need to Find a Soundtrack For Their Generation (PolicyMic), “Turn Up That Damned Music!” (Urban Tulsa Weekly)
    • Class: Reading discussion; Writers workshop; Multimedia presentations
    • Due: EDITORIAL ESSAY (DRAFT 1; BRING 3 COPIES)
    We 10.16
    • Read: SONG—“I’ve Had It” – “A Minor Incident;” eR—“Millennials Need to Find a Soundtrack For Their Generation (PolicyMic), “Turn Up That Damned Music!” (Urban Tulsa Weekly)
    • Class: Reading discussion; Multimedia presentations

    Upcoming:


    Week 10: Queen
    Mo 10.21
    • Read: SONG—“Glorybound” – “Needle in a Haystack;” eR—“You Are What You Hear: What Your Favorite Music Says About You” (NPR Music), “Six Songs of Me” (GuardianMusic), “Does Music Define You?” (NPR Music)
    • Class: Reading discussion; Multimedia presentations
    • Due: REFLECTION 06 
    Tu 10.22
    • Read: SONG—“Glorybound” – “Pissing in a River;” eR—“You Are What You Hear: What Your Favorite Music Says About You” (NPR Music), “Six Songs of Me” (GuardianMusic), “Does Music Define You?” (NPR Music), “Music Defines Me” (Aggie Central), “The Sound of a Generation” (NPR Music), “The Songs That Define Us” (ConversantLife)
    • Class: Reading discussion; Multimedia presentations; Watch—“Gospel for Teens” from 60 Minutes (2011)
    • Due: REFLECTION 06; EDITORIAL ESSAY (FINAL DRAFT; ATTACH DRAFT 1 TO BACK)
    We 10.23
    • Read: SONG—“Let’s Straighten it Out” – “Pissing in a River;” eR—“Music Defines Me” (Aggie Central), “The Sound of a Generation” (NPR Music), “The Songs That Define Us” (ConversantLife)
    • Class: Multimedia presentations; Watch—“Gospel for Teens” from 60 Minutes (2011)
    • Due: EDITORIAL ESSAY (FINAL DRAFT; ATTACH DRAFT 1 TO BACK)

    Monday, October 7, 2013

    Editorial Essay: The Hip Hop Wars

    In The Hip Hop Wars, Tricia Rose argues:

    Hip Hop is in a terrible crisis. Although its overall fortunes have risen sharply, the most commercially promoted and financially successful hip hopwhat has dominated mass-media outlets such as television, film, radio, and recording industries for a dozen years or sohas increasingly become a playground for caricatures of black gangstas, pimps, and hoes. Hyper-sexism has increased dramatically, and homophobia along with distorted, antisocial, self-destructive, and violent portraits of black masculinity have become rap's calling cards. Relying on an ever-narrowing range of images and themes, this commercial juggernaut has played a central role in the near-deception of what was once a vibrant, diverse, and complex popular genre, wringing it dry by pandering to America's racist and sexist lowest common denominator.

    Is there any turning back for hip hop? Can a multi-million dollar industry abandon the motifs that made it popular and return to a simpler time? How does hip hop return to its roots? In a concise editorial, explain how you believe hip hop can be reclaimed. To support your thesis, cite evidence from The Hip Hop Wars: What We Talk About When We Talk About Hip Hopand Why It Matters

    Requirements:
    • MLA Style, including parenthetical citation
    • 3-page minimum
    • Include a works cited page

    The best papers:
    • Have a title that articulates its point of view
    • Stay within the parameters of the subject matter
    • Have a concise thesis which clearly outlines a position
    • Are written in a voice that is casual, yet informed
    • Clearly support their thesis with solid evidence and a logical structure, citing from The Hip Hop Wars.
    • Conclude with a summation of the argument
    • Properly cite evidence using MLA's parenthetical citation method
    • Are in compliance with MLA Style


    Due: DRAFT 1—SEC. 03 & 23—MO 10.14 (BRING 3 COPIES), Sec. 86—TU 10.15 (BRING 3 COPIES); FINAL DRAFT—SEC. 03 & 23—WE 10.23 (ATTACH DRAFT 1 TO BACK), Sec. 86—TU 10.22 (ATTACH DRAFT 1 TO BACK)

    Sunday, October 6, 2013

    Week 08: Elvis Presley

    Elvis Presley, "Can't Help Falling in Love" (1961)

    Week 08: Elvis Presley
    Mo 10.07
    • Read: WARS—“We’re Not Role Models” – “Nobody Talks about the Positive in Hip Hop”
    • Class: Reading discussion; Watch—Excerpts from And You Don’t Stop: 30 Years of Hip-Hop from VH1 (2004)
    • Due: INFOGRAPHIC (FINAL DRAFT; ATTACH DRAFT 1 TO BACK)
    Tu 10.08
    • Read: WARS—“We’re Not Role Models” – “Nobody Talks about the Positive in Hip Hop” 
    • Class: Reading discussion; Multimedia presentations; Watch—Excerpts from And You Don’t Stop: 30 Years of Hip-Hop from VH1 (2004) 
    • Due: INFOGRAPHIC (FINAL DRAFT; ATTACH DRAFT 1 TO BACK); REFLECTION 05
    We 10.09
    • Read: WARS—“Mutual Denials in the Hip Hop Wars” – “Six Guiding Principles for Creativity, Consumption, and Community in Hip Hop and Beyond”
    • Class: Reading discussion; Multimedia presentations
    • Due: REFLECTION 05 

    Upcoming:

    Week 09: Tony Bennett
    Mo 10.14
    • Read: SONG—“Your Love is the Place Where I Come From” – “You Had Time”
    • Class: Writers workshop; Multimedia presentations
    • Due: EDITORIAL ESSAY (DRAFT 1; BRING 3 COPIES)
    Tu 10.15
    • Read: SONG—“Your Love is the Place Where I Come From” – “A Minor Incident;” eR—“Millennials Need to Find a Soundtrack For Their Generation (PolicyMic), “Turn Up That Damned Music!” (Urban Tulsa Weekly)
    • Class: Reading discussion; Writers workshop; Multimedia presentations
    • Due: EDITORIAL ESSAY (DRAFT 1; BRING 3 COPIES)
    We 10.16
    • Read: SONG—“I’ve Had It” – “A Minor Incident;” eR—“Millennials Need to Find a Soundtrack For Their Generation (PolicyMic), “Turn Up That Damned Music!” (Urban Tulsa Weekly)
    • Class: Reading discussion; Multimedia presentations